A full moon night
Where is Berylen lost?
Egypt-'Asur' is foggy, the moon is still awake today
The light is pouring on the clouds.
He who knows how many stones, how many broken market memories.
He was Jonga, Shuklathithi. – Jibanananda Das
Introduction: Alo-Aadhaar conflict is eternal. Therefore, where there is light, there is no reservoir. Aadhaar runs out of sight. Jya comes to the world of night with the sword of light, but it does not have the clarity of the day. As Jyotma came to him, however, the magic of Jyotra night has forever attracted the minds of beauty-hungry people. I have heard in the poet's song that Chakar drank the moon's suddha and sought the closeness of Chakori. Sitting in the light of the middha chad, the child eagerly listens to mother's rhymes, the little ones love to listen to old grandmother's fairy tales. Jyotsna exudes a vaguely rosy vibe. Half light fills half darkness or black family. So the night of chadni or jyotsna is so sweet.
Night condition: The night itself seems to announce the arrival of the ugly. Night draws its veil of black darkness and covers the beautiful face of the earth. Although Jyotsna cannot completely remove the black veil, it is quite successful. He cannot give the earth the firm clarity of day, yet dreams to free it from the total obscurity of night. On a moonlit night the appearance of the earth does not fade into darkness, but direct clarity is not obtained either. It looks like a thin covering of beautiful Ani's body, but it doesn't become obvious. Kind of fills the eyes with insatiable interest. Jyotsna Raat is like a poet's mystical poem, like a work of art by the skillful hand of an artist.
Kashban: Far away in Kashban, the night foxes called with their hookahs, and the flocks of night-watching birds hummed together. I saw that Jyotsna was jumping like a river stream across the forest on the banks of the river. Jyotsna-flooded A Kashvan; Kaal-kakali Mukharit Oi Renu Kunj: Nikunj adorned with mango jackfruit is captured in the world of my consciousness as the embodiment of the beauty of Palli Kuti. In the night of Jyotsna, the whole body and mind were enveloped in a mellow consciousness.
Conclusion: The beauty of Chandni night is not to be forgotten. So the poet has rightly said - 'A thing of beauty is a joy forever.' Jyotsna night shines in my eyes. Only the human heart humbled by the beauty of form is fully capable of expressing the excellence of the creator of the world.
I saw the son of the same mother in the world of milk and milk
Introduction: Folklore is one of the prominent parts of Bengali literature. Diversity, abundance and harmony with life - conventionally appreciated. Only in the mirror of folk literature can the innermost identity of the nation's heart be found. The hopes and aspirations of the nation's ages, poetic imaginations are diffused in the golden rays of folk literature and get immortality. Over the ages, the later shadows of Bengali folk have arranged the wonderful expanse of joy and pain in the golden thread of its folk literature. Through the hundred ups and downs of the ages, the golden stream has come to the shores of Pa Mahananda, Ichamati. His spiritual identity in folklore is from Mui, the diverse creations of folklore have been prevalent in the people's mouths and even though they are ancient creations, they are appreciated in modern human society.
Definition of Folklore: Scholars disagree about the name and definition of folklore. In English, the word folklore is accepted in a broad sense, but in Bengali, when it is called folk literature, it does not express the full meaning. Different scholars have tried to identify the word folklore as a translation or synonym of the word Folklore by various names such as Folklore, Folklore, Folklore etc. Folklore refers to folk tales, stories, songs, rhymes, proverbs etc. Folk literature is usually the unwritten literature of a community or people. That is, all the creations of the national culture with literary quality, mainly following the oral tradition, can be identified as folk literature.
Introduction to Bengali Folklore: Folklore of Bangladesh is a living reflection of Bengali heart. In his Jatra-Panchali and Kavi songs, Baul, Bhatiali, Zari, Sari, Murshidi and Kirtan songs, the dying vitality of Bengali lives on. Fullra of Mangalkavya, Khullana, Behula Lakhinder-Kalulkhaya, Menka Uma, Mymensingh lyricists Mahua, Malua, Leela, Kank, Sonai, Kajalrekha - these are the reflection of our souls. The Bengalis have cried because of them, there is no comparison in the history of any other nation. His vows and son bulano rhymes have become beautiful in the wonderful magic of that transformation. For example, “Mango leaves are paired. Here comes my crazy horse.
The mad horse lashed out."
Patrons of Bengali folk literature who are the patrons of Bengali folk literature. In the early hours of the morning, he wrote Bahu Gola, Talk Tales of Bangla. Dinesh Chand Sen's contribution to folklore is also particularly memorable. Professor Mansoor, Lalon Sham, Hasan Raja etc
Classification of Folklore - Folklore of Bengal is very popular in its various forms. In many uses of life it characterizes our society in many ways, from which they can be divided into seven categories. For example- 1. (Chishu Sahira, 2. Mejhol Katha and Dharma Sahitya, Parivahita, 5. H. Q. Children's Literature of Bengal Children's literature read Bengali fairy tales, fables, such as Patani songs. Vastu Purush of folk tales and modern novels. The fairy tales of our country are the stories of Bengali boys of many ages. The tax revolution flowing over the fields, with the help of many kings, has come here, its source is in the mother body of rich Bangladesh, sure.
This fairy tale is derived from that old deep love. And the boy is forgotten. and sleep
Made variable, varied or colorful, Yadudatam ta and the songs came down in the Meghbari Dhara and Shishu Pa.
Life has given life and the imagination used to melt in the body has made the child's kindness fertile in the rain. Feminine Vratkatha: A type of folklore called Etakatha has emerged based on the stories related to feminine vows in different regions of Bangladesh. The sense of religion mentioned in these stories is rooted in the worldly welfare of girls. The vows with real life-loving religious sense reveal the identity of Bengali folk society. Feminine sayings are based on mundane gods and goddesses but there is no mythological ideal in rice. Girls rely on these gods and goddesses to escape from real life crises. These legends are bound in narrow boundaries because they are associated with tyranny. Literary appeal In this, Anup is, to the poet, the primitive poetry of Bengal. For historians, it is the ancient history of the caves and society of Bengal, and for the motherly Bengali, it is Pratakatha or the first milk from the mother's breast. Savitri Hatta, Sejuti Eta Rata, etc., have nothing to compare to the domestic peace and loveliness achieved through the celebration of the hundredth night and their compositions over the ages.
Dharma Literature: A branch of Bengali folk literature is full of religious songs. Bengali Hindu society has thirty-three million deities. His Malkavya and Panchali literature Mansamkal, Chandimangal Dharmamangal, Annanama, Shivayan Shyamal, Satya Narayan's Panchali and Lakshi's Pachali are based on the god Sed Devata and the deepest cries of the soul of Bengal have been written. The source has opened. Rural literature: The rural literature of Bengal is derived from the very soil of Pari. The smell of the soil of Bengal sticks to them. Keeping them in the original land of Pari people. Mainamati's song, Manikartad's song, Govindachandra's song, Murshidi song, Sarigan, Zarigan, Bhatigan song, B.
An East Bengal lyrical song, Chumu Song has emerged from the hearts of Bengalis irrespective of Hindus and Muslims and has become the common property of Bengalis.
Historical Literature: There is no real historical literature of ancient Bengal. But some historical story or some Daing
By adopting an accident or a tragic love story in the public mind. Folk literature was written. Mymensingh Gitika Q
Kinds of literature. Mymensingh lyricists Mahua, Malua, Sonai, Kajalrekha are expressions of Bengali heart's tenderness. They are Bengalis
Opened the source of modernity of the heart.
Proverb literature: The wisdom that has been accumulated in the Bengali public mind over the ages has been accumulated in the traditional storehouse of proverb literature, thus day by day the multifaceted experience of the people is emerging in the form of bunches of crops in the wilderness of Bengali folk literature. Khanar Bachan, Dak Katha, Shubhankar's Arya besides countless proverbs are included in proverb literature. Although these have more signatures of the mind than the heart, they have a close touch of the folk life of Bengal printed on them. Dr. Muhammad Shahidullah wrote in his essay 'Pallisahita', “Who can deny that the results of so many ages of illusions have been recorded in proverbs and in the words of call and mine? Not only that, many secrets of the nation's old history can also be found in it." Poverty in Bangladesh is also a policy
They have no less value to the society. For example – “Kala buay na keto paat,
That's the cloth, that's the rice
Half of it is cotton
Get half of his paddy uncultivated."
Chira ball pitha ball is not like rice, aunt or fufu ball is not like mother."
Riddles: Riddles are considered to be one of the oldest branches of folklore. In the words of Mahbul Alam, "With the help of metaphors and in the form of questions, an idea becomes a puzzle through the exercise of subtle intellect and thought. The signs of intellectual development in it are supposed to be the creation of the intelligent human mind rather than the creation of a primitive race. Through the puzzle Wisdom is practiced.When someone is asked a question in a few words, usually in the form of a rhyme or poem, it is a riddle.
considered as Then the target person has to answer the question correctly. By asking riddles and answering them
In fact, the identity of intellectuals is matched.
Riddle content is drawn from various materials of daily life. In this case, the diverse experience of human life and the familiarity of inquiry are revealed. The questioner himself expects the answer through a riddle, keeping the answer secret. Erudition if you can answer and if you can't. Ignorance is proven. Failure to answer a riddle becomes a source of laughter. Riddles are related to people's sense of humor.
even
Higher
Answers to riddles are anecdotal. Usually, not knowing the answer is embarrassing in front of the questioner. However, his answer is possible because the riddle is hearsay. It is difficult to figure out the answers to folklore riddles without prior knowledge. Because of the puzzle
When the king comes, the people come and salute you. "
If the answer is not known in advance, it cannot be retrieved from the riddle.
Although it is not very similar to pineapple, its answer is pineapple. Many times the meaning of the statement cannot be found with the answer of the puzzle. Puzzles are not uniform. It is translated to be prevalent in different regions of the country. Dr. Ashutosh Bhattacharya divides Bengali puzzles into two main categories according to subject matter. The divisions are- (a) on nature and (b) on domestic life. An abundance of imagination and juice can be felt in first grade puzzles; Through the other, details of real life experience emerge. The aim of the puzzle is to create fun; The practice of knowledge is not its goal. Materials from wherever in nature or life
It does not lack juice, however collected. Conclusion: Folk literature is generally not the creation of a single individual, it is the overall creation of an integrated society. An integrated society refers to a society in which human groups are interdependent and maintain their own characteristics of traditional customs. The folk literature society is enriched with various cultural materials and helps in the creation of literature. So folklore is our precious resource.